He directed Tilda Swinton all the way to an Oscar for her remarkable performance in the legal potboiler Michael Clayton.
If only Pedro Pascal had an iota of Cate Blanchett’s charisma or Gilroy came close to Todd Field’s elegant braiding of genres.
Doesn’t make you feel much of anything at all despite its weighty themes.
Gilroy’s film doesn’t have the juice to pull it off.
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